 |
||||
|
|
|||
 |
M 99 A special microphone and almost an “instrument” in its own right designed to create the kind of sound beyond the possibilities of regular signal processing. The massive dynamic element can enhance the dynamics of instruments when close miked and add depth to expressive vocalists.
|
|||
 |
M 130 A ribbon microphone that, with considered application, will produce a unique and distinctive sound. It is especially valuable when used with instruments that produce a mix of complex audio signals such as strings. In combination with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image using the M-S
|
|||
 |
M 160 A double ribbon microphone that is especially sympathetic with vocals that contain a high level of sibilance and where a “warm” sound is desired. The double ribbon construction handles higher SPL levels without significantly adding to the diaphragm mass. Used in combination with the M 130 microphone is also ideal for creating an authentic stereo image using the M-S (Mid-Side) technique.
|
|||
 |
M 260 The M 260 is used for vocals and miking instruments at broadcast, recording and film studios. Its flat frequency response and natural, warm ribbon sonic profile make it a highly effective element of the digital recording process. The hypercardioid polar pattern provides an extremely high gain-before-feedback and elimination of lateral noise (maximum at 115°). The M 260 is equipped with a built-in high-pass-filter which compensates the close miking effect, when the microphone is applied very close to an instrument. The microphone also features a high insensitivity towards magnetic stray fields and extreme temperatures. The rugged grille protects the microphone system against accidental hits and kicks
|
|||
 |
M 201TG Another classic from beyerdynamic, this microphone has the unique ability of being able to work with almost all sound sources and is effective when working at close proximity or at a distance where its directional characteristic really comes into its own.
|
|||
 |
MC 834 A high performance, studio microphone that can faithfully reproduce vocals, instruments and percussion with the accuracy and precision demanded by contemporary recording techniques. Includes EA 37 suspension
|
|||
 |
MC 840 Description The MC 840 is an extremely compact large diaphragm studio microphone with a gold vaporised double diaphragm and 5 selectable polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, figure-eight). This new microphone is equipped with an improved low-noise pre-amplifier and an impedance transformer without transducer. Due to a two-stage roll-off filter (80 and 160 Hz) compensating the close miking effect and a two-stage pre-attenuation (-10 and -20 dB) the MC 840 is a superior microphone for any recording application. It has been designed without compromise to capture every sound detail with absolute clarity and purity.
|
|||
 |
MC 930 A compact microphone with a wide range of features, making it applicable to just about any task in the studio. The ability to operate without loss of performance from battery power supplies makes this microphone ideal for orchestra location situations. Using two microphones with the MAV 802 clamp, a stereo pair can be set up using either the X-Y or ORTF technique.
|
|||
 |
MCE 530 The MCE 530 is suitable for both project studios and semi-professionals. Its small and short design permits flexible and unobtrusive positioning. Using the WS 53 windscreen the MCE 530 is an ideal speaker’s microphone in churches and halls. Exceptional XY stereo recordings may be achieved using two MCE 530 microphones with the adjustable KM23550 mount for two microphones. SET Version • Complete with 2x MCE 530, KM23550 mount, 2x MKV 8 and carrying case.
|
|||
