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| DRUM Kits Three combinations of percussion microphones are available in sets boxed in a neat and attractive foam lined travel case. The sets comprise the following OPUS microphones:
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TG D52d Those who prefer dynamic microphones for picking up sound from toms choose the TG D52d. The clip-on microphone can be mounted in a flash and optimally positioned thanks to the gooseneck. The TG D52d provides powerful sound with notably good channel separation; crosstalk from nearby instruments is reduced. Even extremely close miking is possible because the TG D52d can operate at enormously high-pressure levels.
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TG D57c Whether with standing toms, snare drums or percussion instruments - with its patented clip-on mount and integrated pre-amplifier, the TG D57c condenser microphone is mounted and ready in a flash. The expanded frequency range ensures faithful reproduction of all drum types and the 72 mm long flexible gooseneck allows it to be optimally positioned relative to the sound source. An elastic capsule suspension on the capsule housing protects against damage from drumstick strikes. The new electronics provide increased level accuracy and guarantee a very high maximum sound pressure level – even with phantom powering below 44 V.
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TG D58c The practical advantages of the patented microphone clamp on the TG D58c condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely. The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.
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Features • Special sound geometry behind the diaphragm with high-tech acoustic fabric • Expanded resonance space for exceptionally powerful sound 2-stage treble resonator for optimising the treble reproduction • Special sound holes for a frequency independent polar pattern Specifications  Transducer type: Moving coil (dynamic) Polar pattern: Hypercardiod Microphone frequency response: 30 - 18,000 Hz Dimensions: Length: 128.5 mm; Shaft diameter: 23/25 mm; Head diameter: 56 mm Net weight without packaging: 423 g |
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OPUS 51 A “boundary effect” microphone system designed to capture multiple sound sources from direct and reflected sources making it good to use in those difficult to position situations. Its inherent characteristics takes some of the guesswork out of microphone placement. Ideal for all types of piano and drum kits.
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OPUS 53 New design and materials brings this condenser microphone in at a budget and is an outstanding general purpose “workhorse”, housed in a stylish and diminutive package. Ideal for overheads, brass and acoustic guitar.
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OPUS 66 Rack and floor toms benefit from good microphone placement. The small size of this mic allows for correct placement without obstructing the skin. The head of the microphone must be positioned close to the skin of the drum to produce a tight sound without resonance. Ideal for snare, rack and floor toms.
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OPUS 82 Configured specifically for wind instruments with a flared bell such as saxophone, trumpet and trombone, this microphone has an ultra-flexible suspension system to isolate it from mechanical noise transmission. Using the integral clip system it can be placed in the optimum position yet allowing for full movement with the instrument. Ideal for saxophone trumpet and trombone.
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OPUS 83 Designed specifically to capture the dynamics and nuances of acoustic instruments and percussion, this microphone is highly sensitive to detail yet robust enough to work with high SPL levels. Ideal for overheads, brass and electric guitar cabinets.
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OPUS 86 The new Opus 86 has been especially developed for those situations where lightweight mini mics with ultimate freedom are required. The flexible gooseneck allows individual adjustment, whilst the cardioid capsule frequency response has been optimised for live applications. Features also include a high-gain-before feedback. To avoid handling noise the microphone capsule has been fixed with a special shock-mounted suspension, detachable for ease of transportation. In conjunction with Opus wireless systems, the versatile Opus 86 provides perfect sound quality. Suitable for use with any type of instrument, from saxophone to accordion.
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OPUS 87 The most important element of a drum kit is the snare – it is hit most often, the hardest and produces a very complex sound pattern. The Opus 87 has been optimised for the snare; both electrically and physically creating an exact sound from a unique, contemporary package with a unique double spring clamp for rock-solid mounting and isolation. Ideal for snare, floor and rack toms.
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OPUS 99 The Opus 99 has been developed especially for miking bass drums. The strong neodymium magnet system and a mass reduced special diaphragm give the microphone a powerful reproduction with excellent transient characteristics. The optimised frequency response guarantees audio quality which has until now, only been achieved by using high-quality condenser microphones. The hypercardioid polar pattern helps eliminate feedback in live applications and allows an optimum channel separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. With the optional ST 99 stand the Opus 99 can be placed directly inside or in front of the bass drum.
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M 88TG A very special microphone with lightning-fast response making it a first choice for percussion, acoustic and instrument applications for an 'open' sound with detail and presence. For kick-drum applications, this is probably the most frequently specified microphone in the world. Ideal for kick drum and brass instruments.
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M 201TG Another classic from the beyerdynamic 'workhorse' stable, this microphone has the unique ability of being able to work with just about all sound sources. It is just as effective when working at close proximity or at a distance where its directional characteristic really comes into its own.Ideal for overheads,floor toms and guitar cabinets.
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